![]() |
Cheltenham Coffee Concerts
|
|
||||||||||||||||||||
|
|
||||||||||||||||||||||
|
Book for all three concerts
and come to each one for only £5
|
|
|||||||||||||||||||||
|
|
||||||||||||||||||||||
|
Three concerts of 18th-century music
performed in St Mary’s Church, Cheltenham, featuring the
music of Vivaldi
|
|
|||||||||||||||||||||
|
|
||||||||||||||||||||||
|
Tickets: £7
or £6 in advance,or £15 for all 3 concerts
Sounds Good
26 Clarence Street
Cheltenham
GL50 3NU
Tel: (01242) 234604
Corelli Concerts
155 Hewlett Road
Cheltenham
GL52 6UD
Please make cheques payable to ‘Corelli
Concerts’ when applying by post for tickets
|
|
|||||||||||||||||||||
|
Saturday April 23
at 11.00am
Corelli Orchestra Soloists
Jonathan Morgan flute
Véronique Matarasso violin
Warwick Cole harpsichord
|
|
|||||||||||||||||||||
|
|
||||||||||||||||||||||
|
Vivaldi
Albinoni
Bach
|
Il Gardellino
Concerto in G
Brandenburg Concerto no. 5
|
|
||||||||||||||||||||
|
|
||||||||||||||||||||||
|
|
||||||||||||||||||||||
|
Saturday May 28
at 11.00am
Jonathan Morgan flute
David Hatcher viola da gamba/cello
Warwick Cole harpsichord/cello
Vivaldi in France
Vivaldi’s music enjoyed an
enthusiastic following in France during the early 18th century.
His cello sonatas, for instance, were first published in Paris,
as well as Il Pastor Fido, a collection of sonatas that has since been
shown to be nothing less than a spoof! In this concert we
contrast genuine and pastiche Vivaldi, alongside other French
music of the period including Rameau, Pièces de Clavecin
en Concert.
|
|
|||||||||||||||||||||
![]() |
|
|||||||||||||||||||||
|
|
||||||||||||||||||||||
|
|
||||||||||||||||||||||
|
Saturday June 18
at 11am
Sharon Lindo & Ben Sansom violins
Iva Junková & Jonathan Morgan flutes
David Hatcher viola da gamba
Warwick Cole harpsichord
Flutes versus Violins
|
|
|||||||||||||||||||||
|
|
||||||||||||||||||||||
|
|
||||||||||||||||||||||
|
|
||||||||||||||||||||||
|
In this final concert of the series
we explore the varying approaches that composers employed in
composing for woodwind and strings. The softer sound of the
flute ellicited some tender writing from Bach in the G major
trio; while the D major work shows his more Italianate,
Vivaldi-inspired music for the violin.
We conclude with a sonata by the prolific
Frenchman Boismortier in a piece which - unusually - has four
equal parts for the solo instruments.
|
|
|||||||||||||||||||||
|
Bach
Vivaldi
Bach
Boismortier
|
Trio Sonata in G for two flutes and
continuo (BWV 1039)
Chamber concerto in A minor
Trio Sonata in D for two Violins
and continuo (BWV 529)
Sonate à quatre parties
également (Op. 34)
|
|
||||||||||||||||||||
|
|
||||||||||||||||||||||
|
|
||||||||||||||||||||||
|
|
||||||||||||||||||||||
|
Corelli Concerts © 2005
|
|
|||||||||||||||||||||
|
|
||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
