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Corelli Concerts

Corelli Orchestra & Corelli Ensemble
 
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Bach and Friends: Suites and Concertos
January 26 (7.30pm)
Cheltenham - Pittville Pump Room

This concert is part of the Cheltenham series. Book for April 27 concert and get 20% off both concerts.

Tickets: £17; £14; £11 from:

Town Hall Box Office
Imperial Square
Cheltenham GL50 1QA
t: 0844 576 2210
e: boxoffice@cheltenham.gov.uk

January 27  (7.45pm)
Bristol - St George’s Brandon Hill
Tickets: £19 (£17); £17 (£15);
£15 (£13); £11 (£9) from:

t: 0845 4024 001
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Cavalry Fanfare
Concerto a tre chori in D major      
Tafelmusik (3ème Production) Suite in B flat
 
Suite in D 
Concerto for two violins in A minor (Op. 3/8)   
Suite no. 3 in D (BWV 1068) 
Zelenka   
Stölzel 
Telemann   

Böhm      
Vivaldi 
Bach  
About the music

Gottfried Heinrich Stölzel was highly regarded by Bach - the song ‘Bist du bei mir’ was copied into Anna Magdalena’s music book, and Wilhelm Friedmann studied his suite in G minor. Stölzel’s cantatas and oratorios are becoming more well known, but his instrumental music is still unjustly neglected. His extravagant Concerto pits choirs of trumpets, oboes and strings against eachother in vibrant, evenergetic music.

Telemann needs no introduction; but his Tafelmusik suite in B flat surely ranks as some of the most charming music he wrote. Characterful dances are mixed with descriptive movements - such as Bergeries and Postillons - in this multi-faceted suite scored for oboes and strings.

Georg Böhm was probably Bach’s teacher when he spent two years in Lüneburg as a teenager. The two composers kept in touch, and like Stölzel’s, Böhm’s music was played in the Bach household. The suite in D has come down to us as harpsichord music but was probably an arrangement of an orchestral piece.

Vivaldi’s A minor concerto was also highly prized by Bach - so much so that he arrangeed it for organ. And we conclude with the familiar Third Orchestral Suite, reuniting all three choirs of instruments.
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